Margaret Mullin is from Tucson, Arizona. She studied on scholarship at Ballet Arts Tucson with Mary-Beth Cabana and at Pacific Northwest Ballet School, and attended summer courses at Ballet Tucson, and Pacific Northwest Ballet School. She was the recipient of a Thurber Scholarship Award in 2003 and 2004, the 2007 Founding Director Scholarship Award from Angela Whitehill of Burklyn Ballet, and a 2011 Princess Grace Award recipient. Ms. Mullin joined Pacific Northwest Ballet as an apprentice in 2008. She was promoted to corps de ballet in 2009 and soloist in 2014.
Ms. Mullin has choreographed works for Pacific Northwest Ballet’s Choreographers’ Showcase and Next Step performances. In 2012, she choreographed her first ballet, Lost in Light, for the Company. She has also choreographed works, performed as a guest artist, and served as guest teacher for Ballet Tucson and Ballet Arts School in Tucson.
Ms. Mullin was honored with a Princess Grace Award in 2011.
George Balanchine’s Agon and Apollo, Coppélia (Spinner), and A Midsummer Night’s Dream (Hermia, Butterfly); Peter Boal’s Giselle (Peasant pas de deux); David Dawson’s A Million Kisses to My Skin; Ulysses Dove’s Vespers; Paul Gibson’s The Piano Dance; Ronald Hynd’s The Sleeping Beauty (Bluebird pas de deux); Jiri Kylian’s Forgotten Land, Petite Mort, and Sechs Tänze (Six Dances); Jean-Christophe Maillot’s Roméo et Juliette (Nurse); Benjamin Millepied’s 3 Movements; Crystal Pite’s Emergence; Victor Quijada’s Suspension of Disbelief; Jerome Robbins’ Glass Pieces; Kent Stowell’s Nutcracker (Flora) and Swan Lake (Queen Mother, Pas de trois, Neopolitan Dance); and Twyla Tharp’s In the Upper Room and Nine Sinatra Songs.
Originated Leading Roles:
George Balanchine’s Diamonds and The Four Temperaments, Robbins’ West Side Story Suite, Kent Stowell’s Carmina Burana and Cinderella, and Christopher Wheeldon’s Carousel (A Dance). She has also performed with Ballet Tucson, including a leading role in Antony Tudor’s Continuo.
Photos of Margaret Mullin