Marisa Albee joined PNB as an apprentice in 1989, became a full Company member in 1990 and was promoted to Soloist in 1994. She was born in Brooklyn and studied at the School of American Ballet and Pacific Northwest Ballet School’s Summer Course. Prior to joining the faculty at PNBS she taught at the Washington Academy of Performing Arts.
Kelly Boal trained at the School of American Ballet and joined New York City Ballet in 1984, earning a promotion to soloist in 1989. She left NYCB in 1993 to pursue guesting opportunities that included performances with Dutch National Ballet and Ballet Manila and participation in Le Gala des Étoiles in Montreal, Canada. She taught at the School of American Ballet and has served PNBS as a part-time faculty member for two years, teaching both the Professional Division and the Company.
Peter Boal serves as Artistic Director of Pacific Northwest Ballet and Pacific Northwest Ballet School. Mr. Boal assumed the directorship of Pacific Northwest Ballet in 2005 following a successful career with New York City Ballet as a principal dancer, and as a faculty member at The School of American Ballet. He received his dance training from SAB under the directorship of George Balanchine. Mr. Boal was a faculty member at The School of American Ballet since 1997, teaching technique, variations, men’s and women’s classes and partnering. He was a guest teacher at Central Pennsylvania Youth Ballet and Royal Danish Ballet School.
Emily Coello, a native of Rock Island, IL, trained at the Alabama School of Fine Arts under Dame Sonia Arova before joining Alabama Ballet as an apprentice. She holds a BFA with honors from the New School University/Joffrey Ballet program where she trained with David Howard, Eleanor D’Antuono, and Trinette Singleton. While in New York she was chosen by David Howard to be a demonstrator in his “World Tour” class video. For over twelve years she was first a dancer and then ballet mistress for City Ballet of San Diego. Ms. Coello joined the PNBS faculty in 2017.
Caitlin Cooney, a Seattle native, trained at Pacific Northwest Ballet School for 11 years. She graduated from PNB’s Professional Division program, and joined Kansas City Ballet. In addition to an 11-year performing career with KCB, Ms. Cooney spent 11 years teaching dancers of all ages at Kansas City Ballet School. She joined the PNB faculty in the fall of 2014.
Nancy Crowley grew up in Marshfield, Massachusetts, where she received her early ballet training. She joined the faculty of Pacific Northwest Ballet School in 2013 after a performing career in classical and contemporary ballet companies in the United States and Canada. She is a former principal dancer with Pittsburgh Ballet Theatre, Les Grands Ballets Canadiens, La La La Human Steps, and Ballet Arizona, where, from 2005-2012, she served also as school director and company rehearsal assistant.
Dammiel Cruz is from New York, New York. He studied on full scholarship at the School of American Ballet and Pacific Northwest Ballet School, and he attended summer courses at Pacific Northwest Ballet School and Boston Ballet. He was the recipient of the Mae. L. Wien Award and Danish American Nationals Cultural Exchange (DANCE) scholarship. Mr. Cruz joined Pacific Northwest Ballet as an apprentice in 2016 and was promoted to corps de ballet later that year.
Michele Curtis joined the faculty of Pacific Northwest Ballet School in 2006 after a performing career with both classical and contemporary dance companies. She has performed with Connecticut Ballet, New Jersey Ballet, Mark Morris Dance Group, Donald Byrd/The Group, Pilobolus Dance Theater and Seattle Dance Project. In addition to teaching ballet at Pacific Northwest Ballet School, she has also served as Ballet Master for the PNB student matinee productions of Pinocchio, Le Corsaire, A Pirate’s Tale, Snow White, and Hansel and Gretel.From Los Angeles, CA, she received her early training from Catherine Kingsley, Meredith Baylis, Yvonne Mounsey, Rosemary Valaire, Stanley Holden, The Joffrey Ballet, Pacific Northwest Ballet and Merce Cunningham Dance Company. Ms. Curtis holds a Bachelor of Arts degree in dance from UCLA.
Kyle Davis is from Green Bay, Wisconsin. He trained at Makaroff School of Ballet and on scholarship at Rock School for Dance Education and North Carolina School of the Arts, and attended summer courses on scholarship at Milwaukee Ballet School, the School of American Ballet, and Pacific Northwest Ballet School. He also studied with Ethan Stiefel and Warren Conover. Mr. Davis joined Pacific Northwest Ballet as an apprentice in 2008 and was promoted to corps de ballet in 2009 and soloist in 2016.
Lauren DeBard trained at Gem City Ballet’s pre-professional classical ballet program in Dayton, Ohio. She received her BA in international theater production and a minor in classical ballet at Ohio Northern University. She studied under full scholarship at Point Park University’s summer dance program. She has taught ballet for 10 years and joined PNB in 2018.
Juanita Franke received her early training from the Royal Academy of Dance. She received her BA at Appalachian State University in Boone, North Carolina where she danced and choreographed for the Appalachian Dance Ensemble. Her work was selected for the North Carolina Dance Festival showcase. She has most recently taught at the Kehl School of Dance in Madison, Wisconsin, where she created a creative movement program for dancers aged 2-3, and choreographed for the Verona Youth Ballet.
Naomi Glass is from Mercer Island, WA. She was a soloist for the Houston Ballet. Naomi was faculty at University of Houston and Houston Ballet Academy, and as a guest instructor for the Trey McIntyre Project and for many universities. Naomi joined PNBS in 2015 and also currently serves as adjunct faculty at Cornish College of the Arts and as a teaching artist for Dance for Parkinson’s. Naomi holds a Bachelor of Science degree.
Susan Gorter studied at the School of the Pennsylvania Ballet and performed as an apprentice with Pennsylvania Ballet. She danced with the Basel Ballet in Switzerland and taught for the Basel Ballet School. Ms. Gorter joined the PNBS faculty in 2001.
Benjamin Griffiths is from Boise, Idaho, where he received his early training with Lisa Moon. He also studied at the School of American Ballet, where he was a 2001 Mae L. Wien Award recipient. He attended summer courses at Pacific Northwest Ballet School and San Francisco Ballet School. After dancing with Boston Ballet, Mr. Griffiths joined Pacific Northwest Ballet as a member of the corps de ballet in 2005. He was promoted to soloist in 2008 and principal in 2016.
Dana Hanson began her training on Vashon Island, Washington with John Wilkins and continued her studies at Olympic Ballet School, Pacific Northwest Ballet School and the School of American Ballet. She joined the New York City Ballet in 1990, appearing in numerous featured roles in the Balanchine repertoire and touring throughout the world. Prior to joining the PNBS faculty in the fall of 2006, Ms. Hanson was a frequent guest teacher at the School of American Ballet.
Dane Holman is originally from Savannah Georgia. She trained at the North Carolina School of the Arts, American Ballet Theatre and School of American Ballet. She danced with American Ballet Theatre II and the Cleveland Ballet. Ms. Holman joined the faculty in 1997.
Claudia Houston-Aragon is from Cali, Colombia. She graduated from Instituto Colombiano de Ballet Classico, Colombia’s only performing arts grade school in 2003 with a focus in classical ballet. Before moving to the US in 2011, she performed as a soloist with and taught at Ballet Santiago de Cali. She spent 6 years dancing and teaching in Florida before relocating to the Seattle area. Claudia holds a law degree from Universidad Libre de Cali and recently completed her bar exam. She joined the PNB faculty in 2017.
Carrie Imler is from Carlisle, Pennsylvania. She trained on scholarship at Central Pennsylvania Youth Ballet and Pacific Northwest Ballet School and attended summer courses at the School of American Ballet. She joined Pacific Northwest Ballet as an apprentice in 1995 and was promoted to corps de ballet in 1996, soloist in 2000, and principal in 2002. Ms. Imler retired from the stage in June of 2017, and joined the PNB School faculty in September of 2017.
Deborah Kenner received her BFA from the University of Arizona, where she was a full academic and dance scholarship student. Ms. Kenner has had the opportunity to perform with Colorado Ballet, David Taylor Dance Theatre and State Street Ballet. During the 2008–2010 seasons she was Artistic Director of Tucson Regional Ballet. Ms. Kenner joined PNBS faculty in 2010, she is also a member of the PNBConditioning staff.
Miriam (Wenger) Landis grew up in Salt Lake City, Utah. She studied at Ballet West Conservatory, San Francisco Ballet School, and the School of American Ballet, and was a member of Miami City Ballet from 1996-2000. Ms. Landis earned a B.A. in English from Stanford University. She has taught ballet at several schools and universities, including Stanford and the University of Utah. Miriam is also the author of two young adult novels: Girl in Motion and and Breaking Pointe. Miriam teaches Children’s Division and Open Class.
Dina McDermott was born and raised in New Jersey, where she received her earliest ballet training with Irine Fokine. She received her BFA from The Juilliard School, and subsequently danced professionally in New York for five years. After earning her MFA at Arizona State University, she went on to pursue a teaching career. Dina has taught at universities/colleges, community centers, public school/artist-in-residence, with at-risk youth, and at PNB School since 2001. In addition, Dina teaches Pilates in the PNB Conditioning Program. She is also a dance author; her recent book, “A Dancer’s Diary: Around the World in Thirteen Dances”, is available on Amazon.
Louise Nadeau is from Long Island, New York. She trained at the Alexandra School of Ballet in St. Louis and the School of American Ballet. Ms. Nadeau danced with Basel Ballet and Kansas City Ballet before joining Pacific Northwest Ballet as a Soloist in 1990. She was promoted to Principal in 1992 and retired from the stage with a celebratory gala in June of 2009. Ms. Nadeau performed the Divertissement pas de deux in the BBC’s 1999 film version of PNB’s production of Balanchine’s A Midsummer Night’s Dream, filmed at Sadler’s Wells Theatre, London. In 2000, she participated in The George Balanchine Foundation’s Interpreters Archive series, dancing excerpts from Balanchine’sAgon, coached by Melissa Hayden. She has toured extensively nationally and internationally throughout her career, and in 2005 performed with Peter Boal and Company. She began teaching for PNB School in 2006, and returns to PNB in the fall of 2015 after serving as School Principal for Evergreen City Ballet.
Kaori Nakamura is from Gumma, Japan. She trained at the Reiko Yamamoto Ballet Company and the School of American Ballet. In 1986, she won first prize at the 14th Prix de Lausanne competition in Lausanne, Switzerland. In 1988, she won a bronze medal at the International Ballet Competition in Varna, Bulgaria. Ms. Nakamura joined Royal Winnipeg in 1990, where she was made a principal dancer. She joined Pacific Northwest Ballet as a soloist in 1997 and was promoted to principal in 1998. Ms. Nakamura joined the PNBS faculty in 2014.
Laurie McKarns Perrault trained at the National Academy of the Arts, San Francisco Ballet School and Pacific Northwest Ballet School. Ms. Perrault was a principal dancer with Southern California’s San Gorgonio Ballet Company. She has taught dance and Pilates in California, Washington, New York and Uganda. She has also earned a B.S. in Kinesiology from CSU San Bernardino and an M.A. in Dance Education from New York University.
Meg Potter is originally from Metuchen, NJ, and trained on scholarship at the Joffrey Ballet School in NYC. She danced with Joffrey II Dancers, then joined American Ballet Theatre under the direction of Mikhail Baryshnikov. After relocating to the west coast, Ms. Potter danced with Pacific Ballet Theatre where she also served as ballet mistress. She was a faculty member at the School of Oregon Ballet Theatre, and was an adjunct faculty member at Portland State University. Ms. Potter joined the PNBS faculty in 1998 and also holds the position of Assistant Principal.
Lesley Rausch is from Columbus, Ohio. She studied with Shir Lee Wu at Columbus Youth Ballet and also trained at Pacific Northwest Ballet School. Ms. Rausch joined Pacific Northwest Ballet as member of the corps de ballet in 2001. She was promoted to soloist in 2007 and principal in 2011.In addition to her performing career, Ms. Rausch has been a guest teacher at Ballet Hawaii, Evergreen City Ballet, New American Youth Ballet, and Punahou Dance School. She also is on the faculty of Pacific Northwest Ballet School, and is a Stott Certified Pilates Instructor.
Kiyon Ross is from Baltimore, Maryland. He trained at Baltimore School of the Arts, Pittsburgh Ballet Theatre School, the School of American Ballet, and Pacific Northwest Ballet School. He joined Pacific Northwest Ballet in 2001 and retired as a soloist in 2015. He currently teaches on the faculty of PNB School, works with PNB’s DanceChance program to bring classical dance training to the students of Seattle Public Schools, and has been program manager of PNB’s annual NEXT STEP choreographers’ showcase since 2012. Mr. Ross is also an established American choreographer. Since creating his first work in 2001, he has made ballets for PNB, PNB School, New York Choreographic Institute, Central Pennsylvania Youth Ballet, Cornish College of the Arts, and Spectrum Dance Theater. Mr. Ross has been resident choreographer at Ballet Arkansas since 2015.
Lynne Short has recently relocated to the Pacific Northwest after spending 17 years in Texas. From 2013-2017 she was a faculty member and rehearsal mistress at Chamberlain School of Ballet in Plano, Texas. Prior to that, Ms. Short was the Principal of Ballet Austin Academy in Austin from 2001-2013. There she developed and honed a syllabus that has produced students and dancers who learn to realize the joy of working in a deep, thorough, meticulous way. From 1984-2000 Ms. Short was a faculty member at Pacific Northwest Ballet School. During this time, and under the guidance of Francia Russell, Director of PNBS, the ideas of dedicated colleagues with various backgrounds were formed into a unified, cohesive curriculum. Ms. Short danced professionally with the Memphis Ballet, Hartford Ballet, First Chamber Dance Company, and enjoyed performing character roles with Pacific Northwest Ballet, Ballet Austin, Chamberlain Performing Arts and Ft. Worth Ballet.
Abbie Siegel, School Principal, performed with Connecticut Ballet, then went on to serve as the company’s Associate Ballet Mistress. A former faculty member of the Harkness School, Eliot Feld Ballet in New York and Connecticut Ballet, Ms. Siegel joined PNBS faculty in 1991. In addition to teaching, she served as Director of Pacific Northwest Ballet School’s DanceChance program from 1999-2002, and was appointed Principal of The Francia Russell Center in the summer of 2002.
Suzanne Singla trained with Columbia Dance Ensemble in Vancouver, Oregon Ballet Theatre School and Alvin Ailey American Dance Center, where she received a Certificate of Dance. She performed with dance ensembles in Oregon, New York and South Africa. Her teaching credits include faculty positions at Connecticut Dance Theatre, School at Steps and Ballet Hispanico. Ms. Singla joined the PNBS faculty in 2004.
Eva L. Stone received a B.F.A. in Performance and Choreography from Arizona State University. She trained at SUNY Purchase, the Alvin Ailey School, and was awarded a scholarship from Dance Magazine to study choreography at Harvard University with David Gordon and Wendy Perron. Ms. Stone has performed professionally with modern dance companies in both Boston and Los Angeles. She earned her M.A. Degree in Choreography and Choreological Studies from the Laban Centre in London, England. Ms. Stone came to Seattle in 1995, re-established her modern dance company, the Stone Dance Collective, and began an extensive teaching and lecturing career throughout the Puget Sound.
Marjorie Thompson trained at the School of American Ballet and danced with New York City Ballet. She has served on the faculty of the School of American Ballet, Ballet Arts Minnesota, Eliot Feld Ballet and Pennsylvania Ballet. She first joined the faculty of Pacific Northwest Ballet School in 1996, where she was also Director of Therapy and Conditioning. She went on to serve three years as Director of Pittsburgh Ballet Theatre School, then moved to Minneapolis where she was School Principal of Minnesota Dance Theatre. She returned to the PNBS faculty in the Summer of 2007, and is PNBConditioning Program Director.
Julie Tobiason is a former principal dancer with Pacific Northwest Ballet, Chicago City Ballet (directed by Maria Tallchief), and Founder and former Director of Seattle Dance Project. Ms. Tobiason studied at The School of American Ballet and has performed principal roles in works by Stowell, Balanchine, Ashton, Caniparoli, Duato, Forsythe, Tetley, and many others. She has been on faculty at PNB since 1996, and is Ballet Director at Tacoma Urban Performing Arts Center. Ms. Tobiason teaches, coaches, and choreographs nationally for independent films, Regional Dance America, various ballet companies and schools, and most recently Seattle International Dance Festival. In 2017, Ms. Tobiason was awarded the James Ray Residency to create kairos for SIDF 2018. Ms. Tobiason earned her BA in Business Administration from Foster School of Business at University of Washington in 2018.
Malia Vassar is originally from Portland, OR. She received her training under Haydee Gutiérrez, Josie Mosley, and James Canfield at the Oregon Ballet Theater, and the School of the American Ballet. Prior to joining PNB, she spent 15 years performing in the Portland area, and teaching/directing educational outreach programs throughout the northwest.
Giovanni Villalobos was born in Puerto Rico, where he began dancing at the age of 8 under the guide of Roberto Rodriguez. He studied at the School of American Ballet (with Peter Boal, Jock Soto and Andrei Kramarevsky), the Royal Danish Ballet (as part of the D.A.N.C.E student exchange program), and choreographed for the New York Choreographic Institute. In 2003 he was awarded the Mae L. Wien Award for Outstanding Promise, and a year later he joined the New York City Ballet. He has worked with prominent choreographers including Christopher Wheeldon, Susan Stroman, Eliot Feld, Benjamin Millepied, Liam Scarllet, and appeared in the film version of Jerome Robbins’ Opus Jazz. In 2014, he was chosen to become a member of the Teachers Fellowship at SAB. Mr. Villalobos was a guest teacher at Pacific Northwest Ballet School in 2015, and joined PNB School as a year-round faculty member in the fall of 2018.
Amber Willett trained at Belliston Academy of Ballet in Littleton, Colorado, then continued her studies as a Professional Division Student at Pacific Northwest Ballet. She danced with Sonia Dawkins/Prism Dance Theatre and Whim W’him. In 2011-2012, she served as Choreographer-in-Residence in Tuebingen, Germany with Inztanz, International Center for Dance, where her newest work, Clepsydra-Gezeitenpremiered at the Landestheater and Stadtmuseum of Tuebingen.
Le Yin is from Nan Chang, China. He joined PNB as a Principal in 2002. Mr. Yin was formerly a principal dancer with Houston Ballet. He joined the PNB School faculty in the fall of 2009. Mr. Yin continues to perform as a guest artist with ballet companies around the world.
FJ & Catherine Abaya are internationally known Ballroom Champions. They have enjoyed a successful career in competitive dancing, quickly climbing the ranks in the American Rhythm category of ballroom dancing. In addition to competing with their students, F.J. and Catherine teach both American and International Styles locally and abroad.
Kirsten Cooper studied dance and performed professionally in Los Angeles where she received experience in film, music videos and stage productions. She was an assistant teacher on the LA Dance Force convention tour and was a featured dancer on Costa Cruise Lines. She has served on the faculty of the University of Oregon and Theater Ballet of Spokane. Her choreography has been featured at Bumbershoot Arts Festival, Sign of the Times, and Ballet and Bubbly. In addition to teaching Jazz at PNBS, Ms. Cooper is the director of Westlake Dance Center’s pre-professional company.
Jaret Hughes has been at the core of Seattle’s hip hop and dance scene for many years, going back to his years with the Seattle Supersonics as the first male dancer in the NBA. In addition to teaching, Jaret choreographs award-winning hip hop routines for local dance teams, and performs with his professional group Twisted Elegance.
Petur Iliev teaches Character Dance at PNBS. Mr. Iliev studied at the National Choreography Academy of Bulgaria and received a Masters Degree in Choreography from the Bulgarian National Institute of Choreography. He served as Artistic Director for dance ensembles in Bulgaria and the U.S., and has choreographed and taught for dance companies, universities and outreach programs, both nationally and internationally. Mr. Iliev joined the PNBS faculty in the summer of 2003.
Nancy Kadel, MD Orthopaedic Surgeon, Group Health Physicians Foot & Ankle Reconstruction, Dance Medicine Co-Chair, Dance/USA Task Force on Dancer Health President-Elect Performing Arts Medicine Association.
Jackie Villegas-MacLin is the Artistic Director/Instructor/Performer for The Dances of Spain, with over 35 years of extensive training in Flamenco, Classical Spanish, Mexican Folk, Ballet, and Jazz dance.
Jason Ohlberg received his formal dance training at the State University of New York at Purchase from 1991 to 1995 and completed his B.F.A. at Cornish College of the Arts in 2013. He danced with Hubbard Street Dance Chicago, Dance Kaleidoscope, Jan Erkert and Dancers, and Wade Madsen and Dancers. Seattle Dance Project named him resident choreographer for the company’s sixth season in 2013. Jason has served on faculty at Barat College, the school of Hubbard Street Dance Chicago, the University of Washington, Cornish College of the Arts, Spectrum Dance Theater, Arc Dance Productions, Dance Fremont and the Y.A.I. program of the Seattle Children’s Theater.