Drew Lybolt | Corps de Ballet2025-09-29T14:33:19-07:00
PNB Dancer Drew Lybolt

Drew
Lybolt

Drew Lybolt (he/him) is from Indianapolis, Indiana. He trained on scholarship at the Indianapolis School of Ballet and Colburn Dance Academy and was a member of Pacific Northwest Ballet School’s Professional Division. He attended summer courses at the School of American Ballet, Pacific Northwest Ballet School, Miami City Ballet School, and the School of Philadelphia Ballet. Drew joined Pacific Northwest Ballet as an apprentice in 2024.

Drew choreographed and performed a solo work as part of the “2 Dances for Trudl” concert in 2022. The piece was set to a score by Herbert Zipper in an effort to restore music lost or suppressed by the Holocaust. The video recording was archived in the Library of Congress as part of their Concerts from the Library of Congress series.

Ensemble Roles

George Balanchine

George Balanchine’s The Nutcracker®
A Midsummer Night’s Dream
Coppélia
Square Dance
Stravinsky Violin Concerto
Prodigal Son

Peter Boal

Giselle

Justin Peck

The Times Are Racing

Crystal Pite

Emergence
The Seasons’ Canon

Kent Stowell

Carmina Burana
Swan Lake

Leading Roles

Celebrating Founding PNB Orchestra Member Tad Margelli

May 31st, 2024|Life at PNB, Q&A with Dancers, Choreographers & Staff|

Tad Margelli is an English Horn player, Oboist, and founding member of PNB's Orchestra. At the end of the 2023/24 season, Tad will retire, marking an end to his remarkable tenure here at PNB. Join us in celebrating his career by learning more about him and his time at PNB on the blog!

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Celebrating Retiring Principal Dancer James Yoichi Moore

May 30th, 2024|Life at PNB|

Whether it be in the Phelps’ Center dressing room, emphatically discussing fantasy football picks, or on McCaw Hall’s stage, charming the audience as one of the sailors in Jerome Robbins’ Fancy Free, James’ enthusiasm is infectious and his presence irreplaceable. As a San Francisco native looking north, never in a million years did he expect to end up at PNB: “It was a very tall company at the time [I was hired]—long legs, slender bodies—there was a look. That wasn’t me.” However, over his twenty-year tenure with PNB, James has set himself apart as one who defines what the company is today, and for years to come. Learn more about James and his career at PNB in this blog.

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Executive Director’s Notes: Coppélia

May 24th, 2024|Director's Notebook, Performances|

Welcome to Coppélia, PNB’s final repertory program of the 2023/24 season. It’s been several years since we last presented the luminous, lighthearted world of Coppélia, and it’s a joy to bring this beautiful production back to life. If you joined us for our most recent two programs, you may find it hard to believe that the company of classical dancers onstage before you could possibly be the same group of artists who so totally committed to the contemporary choreography of Crystal Pite, Alejandro Cerrudo, Matthew Neenan, Twyla Tharp, and Jessica Lang in March and April.

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Artistic Director’s Notebook: Coppélia

May 24th, 2024|Director's Notebook, Performances|

Almost fifty years ago, I attended a New York City Ballet performance of George Balanchine’s Coppélia. Somewhere in the middle of the first act, I decided I wanted to dance. You know the rest of this story. Coppélia is all about the dancing, and the music, and the laughter, colors, costumes, and scenery. It may have the same effect on you as it did on me all those years ago.

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