Duo Concertant

Music

Igor Stravinsky
(Duo Concertant for violin and piano, 1939)

Choreography

George Balanchine © The George Balanchine Trust

Staging

Peter Boal

Lighting Design

Ronald Bates

Duration

17 minutes

Cast

2 dancers

Premiere

June 22, 1972; New York City Ballet (Stravinsky Festival)

PNB Premiere

September 17, 2005

The works of George Balanchine performed by Pacific Northwest Ballet are made possible in part by The Louise Nadeau Endowed Fund.

Balanchine long admired Duo Concertant and finally choreographed the score as a pas de deux for New York City Ballet’s historic 1972 Stravinsky Festival. Nancy Reynolds, Director of Research for The George Balanchine Foundation, writes, “Duo Concertant was seen as the essence of what the festival was all about: it was not only a close union of dance with music, dancers with musicians (pianist and violinist were on the stage); here, the music actually penetrated the dancing, and did not merely accompany it: the dancers stood still at times and visibly listened. And in its intimacy, the ballet recalled the very personal nature of the fifty-year collaboration that the festival both celebrated and prolonged.”

The ballet was made on New York City Ballet principal dancers Kay Mazzo and Peter Martins. Mazzo has written: “Lincoln Kirstein called Duo Concertant ‘a little jewel,’ and Jerome Robbins said at the premiere that he was amazed Mr. B had the nerve to have the dancers just listen to the music for the whole first movement. Mr. B said, ‘Aha, dear, that’s the point of all dancing. You must first listen to the music and really hear, and then you will understand it and appreciate it. You see the music in the steps, but first you must hear the music!’ I believe Mr. B was very proud of this beautiful ballet and felt he was really delivering the message that he firmly believed. At the end of the ballet, he said to me that it showed that ballet to him was woman, that she was on a pedestal and that was how he wanted his women to be.”

Notes compiled by Doug Fullington.

Artist Biographies

George Balanchine

Born in St. Petersburg, Russia, George Balanchine (1904-1983) is regarded as the foremost contemporary choreographer in the world of ballet. He came to the United States in late 1933, at the age of 29, accepting the invitation of the young American arts patron Lincoln Kirstein (1907-1996), whose great passions included the dream of creating a ballet company in America. At Balanchine’s behest, the School of American Ballet was founded in 1934, the first product of the Balanchine-Kirstein collaboration. Several ballet companies directed by the two were created and dissolved in the years that followed, while Balanchine found other outlets for his choreography. Eventually, with a performance on October 11, 1948, New York City Ballet was born. Balanchine served as its ballet master and principal choreographer from 1948 until his death in 1983.

Balanchine’s more than 400 dance works include Serenade (1934), Concerto Barocco (1941), Le Palais de Cristal, later renamed Symphony in C (1947), Orpheus (1948), The Nutcracker (1954), Agon (1957), Symphony in Three Movements (1972), Stravinsky Violin Concerto (1972), Vienna Waltzes (1977), Ballo della Regina (1978), and Mozartiana (1981). His final ballet, a new version of Stravinsky’s Variations for Orchestra, was created in 1982. He also choreographed for films, operas, revues, and musicals. Among his best-known dances for the stage is Slaughter on Tenth Avenue, originally created for Broadway’s On Your Toes (1936). The musical was later made into a movie.

A major artistic figure of the twentieth century, Balanchine revolutionized the look of classical ballet. Taking classicism as his base, he heightened, quickened, expanded, streamlined, and even inverted the fundamentals of the 400-year-old language of academic dance. This had an inestimable influence on the growth of dance in America. Although at first his style seemed particularly suited to the energy and speed of American dancers, especially those he trained, his ballets are now performed by all the major classical ballet companies throughout the world.

Reprinted by permission of The George Balanchine Foundation.