Empire Noir

Choreography

Staging

Rebecca Gladstone

Scenic Design

John Otto

Costume Design

Yumiko Takeshima

Lighting Design

Bert Dalhuysen

Duration

24 minutes

Premiere

June 17, 2015
Dutch National Ballet (Amsterdam, The Netherlands)

PNB Premiere

March 17, 2017

The 2017 Pacific Northwest Ballet premiere of David Dawsons’s Empire Noir is generously supported by Chap & Eve Alvord, Katharyn Alvord Gerlich, David & Cheryl Hadley, Sharon Lee, and Jodi Wong.

calligraphic border by ProSymbols from Noun Project (CC BY 3.0)

The world of Empire Noir is a ballet designed as a blast of graphic energy—fast-paced and relentless in its own journey through the darkness of the night, the color black, the void of madness. Performed as a pure-dance event, Empire Noir works to allow each of its ten dancers to shine as individuals, but also to present themselves as a team. This dance is contained inside an architectural illusion created by John Otto, who as set designer manages to create simplicity in building a structural surprise. Completed with a upbeat original score by Greg Haines, an over-exposed light design by Bert Dalhuysen, and costumes that behave as a second skin by Yumiko Takeshima, Empire Noir is a force unto itself. An observed entertainment played at its fullest force aiming to leave its audience breathless.

Notes reprinted by permission of dawsonarts.net.

Artist Biographies

Born in London, David Dawson trained at the Rona Hart School of Dance, Arts Educational School, and The Royal Ballet School. In 1991, he won the Prix de Lausanne and joined Birmingham Royal Ballet. He joined the English National Ballet in 1994 as a soloist and a year later, Dutch National Ballet. Subsequently, he joined Ballett Frankfurt in 2000, where he worked with William Forsythe and performed for two more years before deciding to devote his time to creating his own works.

Mr. Dawson has created numerous ballets internationally, including his full-length creations of Tristan + Isolde, Swan Lake, and Giselle. Amongst other significant works are A Million Kisses to my Skin, Empire Noir, day4, The Third Light, A Sweet Spell of Oblivion, The Little Prince, On the Nature of Daylight, The World According to Us, dancingmadlybackwards, Opus.11, and his highly acclaimed timelapse/(Mnemosyne).

Between 2004 and 2012, David Dawson was Resident Choreographer for Dutch National Ballet, Semperoper Ballet, and Royal Ballet of Flanders. Since 2015, he holds the position of Associate Artist with Dutch National Ballet. His creations have been introduced to the repertoires of ballet companies worldwide.