La Sonnambula

Music

Vittorio Rieti (based on themes by Vincenzo Bellini)
(Night Shadow (1946))

Staging

Peter Boal with Richard Tanner

Costume Design

Christine Joly after original design by Karinska

Lighting Design

Scenic Design

Duration

37 minutes

Cast

30 dancers

Premiere

February 27, 1946
Ballet Russe de Monte Carlo

PNB Premiere

March 15, 2007

The 2007 Pacific Northwest Ballet premiere of George Balanchine’s La Sonnambula is generously underwritten in part by the PNB Advisory Board of Trustees.

The works of George Balanchine performed by Pacific Northwest Ballet are made possible in part by The Louise Nadeau Endowed Fund.

Artist Biographies

Born in St. Petersburg, Russia, George Balanchine (1904-1983) is regarded as the foremost contemporary choreographer in the world of ballet. He came to the United States in late 1933, at the age of 29, accepting the invitation of the young American arts patron Lincoln Kirstein (1907-1996), whose great passions included the dream of creating a ballet company in America. At Balanchine’s behest, the School of American Ballet was founded in 1934, the first product of the Balanchine-Kirstein collaboration. Several ballet companies directed by the two were created and dissolved in the years that followed, while Balanchine found other outlets for his choreography. Eventually, with a performance on October 11, 1948, New York City Ballet was born. Balanchine served as its ballet master and principal choreographer from 1948 until his death in 1983.

Balanchine’s more than 400 dance works include Serenade (1934), Concerto Barocco (1941), Le Palais de Cristal, later renamed Symphony in C (1947), Orpheus (1948), The Nutcracker (1954), Agon (1957), Symphony in Three Movements (1972), Stravinsky Violin Concerto (1972), Vienna Waltzes (1977), Ballo della Regina (1978), and Mozartiana (1981). His final ballet, a new version of Stravinsky’s Variations for Orchestra, was created in 1982. He also choreographed for films, operas, revues, and musicals. Among his best-known dances for the stage is Slaughter on Tenth Avenue, originally created for Broadway’s On Your Toes (1936). The musical was later made into a movie.

A major artistic figure of the twentieth century, Balanchine revolutionized the look of classical ballet. Taking classicism as his base, he heightened, quickened, expanded, streamlined, and even inverted the fundamentals of the 400-year-old language of academic dance. This had an inestimable influence on the growth of dance in America. Although at first his style seemed particularly suited to the energy and speed of American dancers, especially those he trained, his ballets are now performed by all the major classical ballet companies throughout the world.

Reprinted by permission of The George Balanchine Foundation.

Randall G. Chiarelli (1949-2024) devoted his career to lighting for dance, much of it at Pacific Northwest Ballet, and also for American Ballet Theatre, Royal New Zealand Ballet, Atlanta Ballet, Houston Ballet, San Francisco Ballet, among others. His many collaborators included choreographers Donald Byrd, Mark Dendy, Ronald Hynd, Kent Stowell, Susan Stroman, and Christopher Wheeldon. Chiarelli graduated from the University of Washington with a degree in painting and sculpture.