Tarantella

Music

Louis Moreau Gottschalk
(Grande Tarantelle, Op. 67, c. 1866), reconstructed and orchestrated by Hershy Kay

Staging

Peter Boal

Costume Design

Lighting Design

Duration

8 minutes

Cast

2 dancers

Premiere

January 7, 1964
New York City Ballet

PNB Premiere

January 31, 1985

The 2019 production of George Balanchine’s Tarantella is generously supported by Marcella McCaffray.

George Balanchine created Tarantella in 1964 for New York City Ballet principal dancers Patricia McBride and Edward Villella. In his book, Balanchine’s Stories of the Great Ballets, the choreographer had this to say about this charming work: “This pas de deux is one of a long series of short ballets I have made for the gifts of specific dancers. The music is for solo piano and orchestra, based on the Grande Tarantelle of the New Orleans pianist-composer Louis Gottschalk, who dazzled Europe and the United States with his recitals a hundred years ago. This work, which I asked Hershy Kay to orchestrate for us, is thought to be the first work for piano and orchestra ever composed by an American. It is a dazzling display piece, full of speed and high spirits. So, I hope, is the dance, which is ‘Neapolitan,’ if you like, and ‘demi-caractère.’ The costumes are inspired by Italy, anyhow, and there are tambourines.”

Created for a particular pair of dancers, Tarantella continues to challenge artists of succeeding generations, whose virtuosity it delightfully showcases. The ballet has been in Pacific Northwest Ballet’s repertory since 1985.

Notes by Jeanie Thomas, 1995.

Artist Biographies

Born in St. Petersburg, Russia, George Balanchine (1904-1983) is regarded as the foremost contemporary choreographer in the world of ballet. He came to the United States in late 1933, at the age of 29, accepting the invitation of the young American arts patron Lincoln Kirstein (1907-1996), whose great passions included the dream of creating a ballet company in America. At Balanchine’s behest, the School of American Ballet was founded in 1934, the first product of the Balanchine-Kirstein collaboration. Several ballet companies directed by the two were created and dissolved in the years that followed, while Balanchine found other outlets for his choreography. Eventually, with a performance on October 11, 1948, New York City Ballet was born. Balanchine served as its ballet master and principal choreographer from 1948 until his death in 1983.

Balanchine’s more than 400 dance works include Serenade (1934), Concerto Barocco (1941), Le Palais de Cristal, later renamed Symphony in C (1947), Orpheus (1948), The Nutcracker (1954), Agon (1957), Symphony in Three Movements (1972), Stravinsky Violin Concerto (1972), Vienna Waltzes (1977), Ballo della Regina (1978), and Mozartiana (1981). His final ballet, a new version of Stravinsky’s Variations for Orchestra, was created in 1982. He also choreographed for films, operas, revues, and musicals. Among his best-known dances for the stage is Slaughter on Tenth Avenue, originally created for Broadway’s On Your Toes (1936). The musical was later made into a movie.

A major artistic figure of the twentieth century, Balanchine revolutionized the look of classical ballet. Taking classicism as his base, he heightened, quickened, expanded, streamlined, and even inverted the fundamentals of the 400-year-old language of academic dance. This had an inestimable influence on the growth of dance in America. Although at first his style seemed particularly suited to the energy and speed of American dancers, especially those he trained, his ballets are now performed by all the major classical ballet companies throughout the world.

Reprinted by permission of The George Balanchine Foundation.