The Personal Element

Choreography

Staging

Meredith Webster

Costume Design

Lighting Design

Premiere

August 3, 2019
Originally created with Dancers from Alonzo King LINES Ballet and New York City Ballet for the Vail Dance Festival. Commissioned by Vail Dance Festival, Artistic Director Damian Woetzel.

PNB Premiere

November 5, 2021

The 2021 Pacific Northwest Ballet premiere of Alonzo King’s The Personal Element is sponsored by the Jane Lang Davis New Works, Bob Benson, and Glenn Kawasaki.

An evocative twenty-minute octet set to a sweeping piano score by Jason Moran, which allows the viewer to marvel at dance movement and choreography. With a bright yet uncomplicated set and elegant costuming, The Personal Element allows the focus to remain on the choreography and the expertise of the company. The interplay of Moran’s piano and the dancers’ movement is a poetic invitation, encouraging each individual viewer to make their own personal connection with the piece.

Note courtesy of Alonzo King LINES Ballet.

Artist Biographies

Alonzo King, Founder and Artistic Director of Alonzo King LINES Ballet, has been called a visionary choreographer, who is altering the way we look and think about movement. King calls his works ‘thought structures’, created by the manipulation of energies that exist in matter through laws, which govern the shapes and movement directions of everything that exists. Described as a choreographer with ”astonishing originality” by the New York Times, Alonzo King LINES Ballet has been guided by his unique artistic vision since 1982. King has works in the repertories of the world’s leading ballet and modern companies and has collaborated with distinguished visual artists, musicians and composers across the globe. His work has been recognized for its impact on the cultural fabric of the company’s home in San Francisco, as well as internationally by the dance world’s most prestigious institutions. Named a Master of Choreography by the Kennedy Center in 2005, King is the recipient of the NEA Choreographer’s Fellowship, the Jacob’s Pillow Creativity Award, the US Artist Award in Dance, NY Bessie Award, and the National Dance Project’s Residency and Touring Awards. In 2015 he received the Doris Duke Artist Award in recognition of his ongoing contributions to the advancement of contemporary dance. Joining historic icons in the field, King was named one of America’s “Irreplaceable Dance Treasures” by the Dance Heritage Coalition. He is a former San Francisco commissioner, and a writer and lecturer on humanity and art. He holds an honorary Doctorate from Dominican University, California Institute of the Arts, and The Juilliard School. King received the Dance Magazine Award in 2020.