Artistic Director’s Notebook: Giselle 2026

Dear Friends, Giselle has enthralled audiences since its premiere in Paris in 1841. I’ll do the math for you—that’s 185 years ago. Despite the years, audiences seem as intrigued today as they were on opening night. There are a few reasons why Giselle works. First, the plot is so good. As the curtain rises on […]

Artistic Director’s Notebook: Jewels, AfterTime, The Window, In The Upper Room

Dear Friends, George Balanchine’s Jewels is sometimes referred to as the first plotless evening-length work. Not exactly the catchiest byline. Did Balanchine hope to tap into the box office strength of full-length ballets? Interestingly, Jewels was not a stand-alone work at its premiere. In fact, it wasn’t even called “Jewels.” Emeralds, Rubies, and Diamonds were there, but there was no overarching name. Critic […]