The Story of Cinderella
Leta Biasucci in Kent Stowell’s Cinderella, photo © Lindsay Thomas.
Act I
As the curtain rises, Cinderella is daydreaming about a happier life. Her fantasy is interrupted by her stepmother and stepsisters, who are busy getting ready for the Prince’s Ball that evening. All three treat Cinderella like a servant and force her to work day and night. Somehow, Cinderella remains cheerful and helpful to everyone.
Suddenly, an old woman in ragged clothes appears, and Cinderella befriends her. Something about this mysterious figure reminds Cinderella of her beloved mother, who died when Cinderella was young. As she gazes at her mother’s picture in the locket she wears around her neck, Cinderella remembers her happy childhood and her loving parents.
Her reverie fades, and preparations for the ball commence. Clothiers, wigmakers, and milliners display their finery and dress the family for the party. A dance teacher arrives, who tries without success to coach the stepsisters in a few steps. Finally, everything is ready, and the family departs for the ball. Only Cinderella is left behind. Wishing that she, too, could go to the ball, she imagines she is there dancing with the Prince.
Again, the mysterious woman appears. This time she reveals her true identity as Cinderella’s Fairy Godmother. Introducing fairies representing the four seasons, she shows Cinderella the possibilities that life holds for change and happiness. After an exuberant dance of celebration, the Fairy Godmother and the four seasons bestow on Cinderella everything she needs to go to the ball, including a golden coach. With a final warning that she must leave the ball by midnight, they bid her a fond farewell.
PNB Company dancers in Kent Stowell’s Cinderella, photo © Angela Sterling.
Act II
At the Prince’s palace, the magnificent ball is underway. The Prince enters and greets his guests, including the stepsisters and their ambitious mother, who are eager to attract his special attention. When Cinderella arrives, the entire court is captivated by her loveliness, especially the Prince. Making their way through the waltzing couples, Cinderella and the Prince dance for each other and express their joy that they have met.
The Master of Ceremonies calls for the evening’s entertainment, and a Theatre of Marvels presents a drama for the Prince and his guests. As the entertainers depart, the court moves to the balcony to admire the evening sky.
Left alone, the Prince and Cinderella dance a pas de deux of wonder and discovery. The court returns for a last dance, and Cinderella, caught up in the thrill of the evening, forgets the Fairy Godmother’s warning. As she realizes the clock is striking midnight, she hurries to leave before the spell breaks. The Prince and the court are bewildered at her abrupt exit. Only the glass slipper remains as a clue to her identity.
Lucien Postlewaite and Leta Biasucci in Kent Stowell’s Cinderella, photo © Lindsay Thomas.
Act III
At home again, Cinderella remembers the amazing events that have given her a glimpse of the happiness she seeks. Her stepsisters, for their part, grumble that the Prince has overlooked them in favor of the mysterious newcomer. Meanwhile, the Prince searches for the woman whose foot fits the glass slipper.
Eventually the Prince arrives at Cinderella’s home, where not only her stepsisters but even her stepmother are determined to try on the slipper. To their astonishment, it is Cinderella’s foot that fits perfectly.
Acknowledging their love, Cinderella and the Prince are transported to the Fairy Godmother’s realm, where dreams really do come true.
