blitz…Fantasy

Choreography

Kiyon Ross

Composer

John Adams, Philip Glass

Costume Design

Mark Zappone

Lighting Design

Dante Leonardi

Cast

13 dancers

Premiere

March 23, 2005
Pacific Northwest Ballet (Choreographers’ Showcase)

Previous Performances

3/05 – Choreographers’ Showcase

Artist Biographies

Kiyon Ross has devoted his career to ballet—as a dancer, choreographer, stager, faculty member, and administrator. He started his training at the Baltimore School of the Arts and finished at PNB School, joining the Company in 2001 and retiring as a Soloist in 2015. Kiyon has choreographed works for PNB, PNB School, New York City Ballet Choreographic Institute, and Spectrum Dance Theater, and was the resident choreographer at Ballet Arkansas from 2015-2018. Kiyon is the Associate Artistic Director at PNB.

Mark Zappone served Pacific Northwest Ballet from 1983 to 1988 as costume designer, shop supervisor, and wardrobe master. He then moved to Monte Carlo, where he managed costume shops for Les Ballets de Monte-Carlo and Le Cabaret de Monte-Carlo, continuing on to Switzerland and Amsterdam with Holiday on Ice. Mr. Zappone has collaborated with many renowned choreographers and designers, including Twyla Tharp, Christopher Wheeldon, and Yuri Possokhov, among others. In addition to his many ballets for PNB, Mr. Zappone has designed costumes for numerous dance companies worldwide.

Born in Baltimore, Philip Glass studied the violin and flute, and obtained early admission to the University of Chicago. After graduating in mathematics and philosophy, he went to New York’s Juilliard School, drove a cab and studied composition with Darius Milhaud and others.

At 23, he moved to Paris to study under the legendary Nadia Boulanger. While there, he discovered Indian classical music while transcribing the works of Ravi Shankar into Western musical notation. A creative turning point, Glass researched non-Western music in India and parts of Africa, and applied the techniques to his own composition.

Back in the United States, Glass spent the late 1960s and early 1970s creating a major collection of new music. In 1976 his landmark opera Einstein on the Beach was staged by Robert Wilson to a baffling variety of reviews. His compositions were so avant-garde that he had to form the Philip Glass Ensemble to give them a venue for performance. Although called a minimalist by the Western classical mainstream, he denies this categorization. His major works include opera, theater pieces, film soundtracks, dance and song. Glass remains one of the most important American composers. More recently, a major reexamination of Glass’s oeuvre has led him to be labeled “The Last Romantic” by the musical press.

Through his opera, symphonies, compositions for his own ensemble, and collaborations with artists, Glass has had an extraordinary impact on the musical and intellectual life of his times. In the past 25 years, Glass has composed more than 25 operas; twelve symphonies; three piano concertos; concertos for violin, piano, timpani, saxophone quartet, and orchestra; soundtracks for films; string quartets; and a growing body of work for solo piano and organ.