Dirty Goods

Music

The Chromatics
(“Last Wish” and “These Streets Will Never Be The Same”)

Choreography

Andrew Bartee

Scenic Design

Filmed in Olympic National Park

Original Lighting Design

Lighting Design

Costume Design

Andrew Bartee and Larae Theige Hascall

Cast

6 dancers

Duration

18 minutes

Premiere

August 2014
Pacific Northwest Ballet at Wolf Trap

Andrew Bartee’s Dirty Goods was commissioned by Wolf Trap Foundation for the Performing Arts.

Artist Biographies

Andrew Bartee is a Pacific Northwest–born dancer and choreographer whose work bridges the worlds of classical ballet and contemporary dance. A native of the Pacific Northwest, Bartee began his formal training at the PNB School and joined Pacific Northwest Ballet’s corps de ballet in 2009. Early in his career, he earned recognition as the first recipient of the Flemming Halby Exchange with the Royal Danish Ballet School, and later received a Princess Grace Award for dance, the youngest recipient that year.

Known for his long limbs and graceful, angular movement, Bartee dances fluidly across genres. During his years with PNB, he also performed regularly with Seattle contemporary company Whim W’Him, expanding his range across styles and choreographic voices. His passion for modern and experimental dance led him to become a recurring contributor to PNB’s annual NEXT STEP choreographic showcase, where works such as arms that work earned critical comparisons to the enduring power of Balanchine and Arpino.

Bartee was selected as a choreographer for Wolf Trap’s Face of America PBS series, creating a site-specific work filmed on location at Olympic National Park — a commission that brought his choreography to a national audience. He later left PNB to join Ballet BC in Vancouver, drawn by the opportunity to engage more deeply in the choreographic process and expand the range of his artistic collaborators.

At Ballet BC, Bartee has embraced an environment where dancers question everything and are constantly creating — a fitting home for an artist whose movement has always been driven by curiosity, individuality, and an unflinching personal voice.

Mark Stanley is resident lighting designer for New York City Ballet, where he has designed more than 200 premieres, including works by Peter Martins, Susan Stroman, Christopher Wheeldon, Alexei Ratmansky, Justin Peck, Benjamin Millepied, William Forsythe, and Ulysses Dove, among many others in numerous ballet companies across Europe and the US. Mr. Stanley previously served as resident designer for New York City opera. He has designed plays for the Kennedy Center, Huntington Theatre Company, Long Wharf, The Ordway, The Goodspeed, and Off-Broadway companies. Currently, Mr. Stanley is MFA Programs Head, Design & Production and Associate Professor of Theatre (Lighting Design) at Boston University and also is on the board of directors of the Gilbert Hemsley Lighting Programs. He is the author of The Color of Light Workbook.

Randall G. Chiarelli (1949-2024) devoted his career to lighting for dance, much of it at Pacific Northwest Ballet, and also for American Ballet Theatre, Royal New Zealand Ballet, Atlanta Ballet, Houston Ballet, San Francisco Ballet, among others. His many collaborators included choreographers Donald Byrd, Mark Dendy, Ronald Hynd, Kent Stowell, Susan Stroman, and Christopher Wheeldon. Chiarelli graduated from the University of Washington with a degree in painting and sculpture.