Momotaro (The Peach Boy)

Music

Saburo Moroi, Ringtaro Tateishi, Kazuko Yamada, Takashi Yoshimatsu, and Traditional Folk Music

Director & Choreography

Creative Associate & Dramaturg

Set Design Illustrator

Scenic Coordinator

Costume Design

Lighting Design

Taiko Music composed by

Ringtaro Tateishi

Narrator

Featuring The School of TAIKO

Premiere

March 21, 2026; Pacific Northwest Ballet

The world premiere of Jessica Lang’s Momotaro is generously sponsored by Aimee Truchard, Leslie Yamada, Deidra Wager, Connie Walsh, Once Upon a Dance, Yuka Shimizu Foundation, and Japan Fair.

The Story of Momotaro

Long ago, Obaasan and Ojiisan, an elderly couple living in the countryside, discovered a giant peach floating down a river. When they opened it, a miraculous little boy appeared. Sent from the heavens, the child became their son and was named Momotaro, meaning “Peach Boy.” The couple raised him with love, and he grew into a strong and kind young hero.

One day, Momotaro learned that fearsome ogres on a distant island had been attacking villages and stealing their treasures. Determined to protect his home, he decided to journey to Ogre Island and defeat them. Before he left, his Obaasan prepared special dumplings called kibi dango to give him strength on his journey.

Along the way, Momotaro met a dog, a monkey, and a pheasant. Each asked where he was going, and after receiving a dumpling from him, they joined his mission. Guided by magical forest, star, and water fairies, the group traveled together across the sea to reach Ogre Island. When they arrived, they found the ogres celebrating with the stolen treasures. Momotaro and his companions bravely fought them in battle. Eventually, the Boss Ogre surrendered and promised never to harm the villagers again, returning all the stolen goods.

Seeing the ogre’s genuine regret, Momotaro remembered the lessons of compassion taught by his parents and chose forgiveness instead of revenge. When Momotaro returned home with his friends, the villagers celebrated his bravery. Even the Boss Ogre came to apologize and return the treasures, and the villagers welcomed him peacefully.

Through courage, teamwork, and compassion, Momotaro restored happiness to the village, and everyone lived together in peace.

Artist Biographies

A celebrated choreographer of her generation, Jessica Lang is Resident Choreographer of Pacific Northwest Ballet and Artist in Residence at Sarasota Ballet. She has created over 115 original works on companies worldwide including American Ballet Theatre, Alvin Ailey American Dance Theater, PNB, The Royal Ballet, Vienna State Ballet and her eponymous company Jessica Lang Dance of which Lang was Artistic Director from 2011-2019. For opera, Lang has directed and choreographed Pergolesi’s Stabat Mater for Glimmerglass; choreographed Aida for San Francisco Opera, Washington National Opera (WNO), Seattle Opera, LA Opera, and Lyric Opera of Chicago; and choreographed Salome for Des Moines Metro Opera. In 2024, Lang co-choreographed with Kanji Segawa WNO’s new production of Turandot, directed by Francesca Zambello.

Kanji Segawa was a dancer with Alvin Ailey American Dance Theater from 2011–2023 and became Assistant Rehearsal Director for the company in 2024. Originally from Kanagawa, Japan, Segawa is a former member of Ailey II, Battleworks, and danced extensively for Mark Morris. Since 1999, Segawa has worked with Jessica Lang, assisting her creations for companies worldwide including American Ballet Theatre, PNB, The Royal Ballet, and The National Ballet of Japan.