Welcome to Swan Lake, one of Kent Stowell’s most stunning contributions to PNB’s repertoire. This production of Swan Lake and I arrived at PNB at the same time, in the summer of 2003. I was struck by the magnitude of the physical production, and still find new details in Ming Cho Lee’s magnificent sets and Paul Tazewell’s opulent costumes. For a new-to-PNB arts administrator, I could not have encountered a more beautiful ballet beginning.
Just over twenty years ago, in September 2003, a theater called Marion Oliver McCaw Hall opened in Seattle. Built on the site of the Seattle Opera House, which dated back to the 1962 World’s Fair, the new hall was the realization of years of dreaming, planning, fundraising, and building. With Seattle Symphony’s recent relocation to Benaroya Hall, McCaw Hall was tailored to the needs of its two primary tenants, Seattle Opera and Pacific Northwest Ballet. After a joint gala celebrating the new digs and the dawn of a new era for each arts organization, PNB offered another unveiling – a completely redesigned version of Kent Stowell’s Swan Lake.
Lindsi Dec and PNB Company dancers in Carmina Burana © Angela Sterling.
You never forget the opening moment of Kent Stowell’s Carmina Burana. Even wildly enthusiastic applause can’t drown out the 70 voices of the Pacific Lutheran University Choral […]