Pacific Northwest Ballet Artistic Director, Peter Boal examines the works on the current repertoire.
"What goes into planning a season? There are more factors to list than my word count allows."
"We all have our harrowing stories from mid-March of 2020. Naturally, mine involves PNB. On the morning of March 12th Executive Director Ellen Walker informed me all theaters on Seattle Center campus had been asked to suspend any further activity. I told her I needed twelve more hours. That night we were scheduled to take the stage for the dress rehearsal of David Dawson’s Empire Noir and Alejandro Cerrudo’s One Thousand Pieces. Though we were able to run and film the dress rehearsal before retreating to our homes, PNB has never performed the complete One Thousand Pieces for a live audience. How grateful we are to finally bring this piece to the stage with you in the audience.
Welcome to Swan Lake, one of Kent Stowell’s most stunning contributions to PNB’s repertoire. This production of Swan Lake and I arrived at PNB at the same time, in the summer of 2003. I was struck by the magnitude of the physical production, and still find new details in Ming Cho Lee’s magnificent sets and Paul Tazewell’s opulent costumes. For a new-to-PNB arts administrator, I could not have encountered a more beautiful ballet beginning.
Just over twenty years ago, in September 2003, a theater called Marion Oliver McCaw Hall opened in Seattle. Built on the site of the Seattle Opera House, which dated back to the 1962 World’s Fair, the new hall was the realization of years of dreaming, planning, fundraising, and building. With Seattle Symphony’s recent relocation to Benaroya Hall, McCaw Hall was tailored to the needs of its two primary tenants, Seattle Opera and Pacific Northwest Ballet. After a joint gala celebrating the new digs and the dawn of a new era for each arts organization, PNB offered another unveiling – a completely redesigned version of Kent Stowell’s Swan Lake.
On behalf of everyone at PNB, thank you for choosing to celebrate the season with us. Over the years we’ve heard from many in our audience about what this production means to you. It may mark the official start of your holidays, be the destination for a much anticipated annual outing with visiting family, or offer a nostalgic antidote to a too-busy time of year...
Ask anyone what their introduction to ballet was – most will tell you it was a performance of The Nutcracker. They probably attended as small children. I was five. PNB expects to welcome about 85,000 people of all ages to our performances this year alone. Many will attend for the first time, starting a new tradition of enjoying this timeless holiday classic...
Welcome to PNB’s November program and the place in our season we often mark by presenting new and contemporary work – a very PNB counterpoint to The Nutcracker immersion already taking place in our studios. This program is also an excellent expression of the interconnectedness of the dance world.
When we think of storytelling, we think of words – spoken, signed, sung, or written. Recall a favorite novel or poem. Words illuminate plots and plays bringing them to vivid existence. How does dance tell a tale without words? Classical ballets have relied on two methods of communication – mime and program notes. But storytelling has changed in ballet.
Welcome to the first repertory program of PNB's 51st season, and the beginning of the fall arts season in Seattle. Like the start of a new school year, this phase of our season is full of promise, some uncertainty (we love snow, for example, but not so much during The Nutcracker...), and excitement around anticipated moments ahead. Like many of you, I can't wait to see the return of Crystal Pite's The Seasons' Canon, Donald Byrd's Love and Loss, and Kent Stowell's mesmerizing Swan Lake, among others.
PNB is also a culture of creativity with dancers, musicians, designers, and choreographers working to offer fresh takes on dance. Watch for a season filled with new creations and new ideas. So much of this happens beyond the mainstage.