© Angela Sterling
Andrew Bartee is from Everett, Washington. He studied on scholarship at Pacific Northwest Ballet School and attended summer courses at Pacific Northwest Ballet School and the School of American Ballet. He was the first recipient of the Flemming Halby Exchange with the Royal Danish Ballet School and a 2007 Princess Grace Award recipient. Mr. Bartee joined Pacific Northwest Ballet as an apprentice in 2008 and was promoted to corps de ballet in 2009.
In 2012, Mr. Bartee choreographed his first ballet, arms that work, for the Company.
George Balanchine’s Agon and The Four Temperaments; Peter Boal's Giselle (Peasant pas de deux, Wilfride); Val Caniparoli’s The Seasons; Ulysses Dove’s Dancing on the Front Porch of Heaven and Red Angels; David Dawson’s A Million Kisses to my Skin; William Forsythe's One Flat Thing, reproduced; Kiyon Gaines' M-Pulse; Paul Gibson's The Piano Dance; Ronald Hynd’s The Sleeping Beauty (Gold and Silver pas de trois); Jiri Kylian's Forgotten Land, Petite Mort and Sechs Tänze (Six Dances); Annabelle Lopez Ochoa’s Cylindrical Shadows; Mark Morris' A Garden and Kammermusik No. 3; Crystal Pite’s Emergence; Kent Stowell's Cinderella (Evil Sprite), Nutcracker (Prince, Commedia) and Swan Lake (Pas de trois); Susan Stroman’s TAKE FIVE…More or Less; Twyla Tharp's Afternoon Ball; Victor Quijada’s Suspension of Disbelief.
Originated Leading Roles
George Balanchine's Diamonds and Symphony in C; Alexei Ratmansky's Concerto DSCH; Kent Stowell’s Carmina Burana; Twyla Tharp's Waterbaby Bagatelles and Waiting at the Station.
Photos of Andrew Bartee