Lindsi Dec is from Fairfax, Virginia. She trained at Washington School of Ballet and on scholarship at Pacific Northwest Ballet School. She joined Pacific Northwest Ballet as an apprentice in 2001 and was promoted to corps de ballet in 2002, soloist in 2009, and principal in 2013.
Ms. Dec has performed as a guest artist with Ballet Hawaii, California Ballet, Corpus Christi Ballet, Dance Arts Theatre, Grand Rapids Ballet, Lafayette Ballet, and Mid-Columbia Ballet.
George Balanchine’s Agon, Apollo, Concerto Barocco, Coppélia (Discord and War, Prayer), The Four Temperaments, Emeralds, Prodigal Son, Rubies, Serenade, and Symphony in C; Peter Boal’s Giselle (Myrtha); Trisha Brown’s Spanish Dance; Val Caniparoli’s The Bridge and The Seasons; David Dawson’s A Million Kisses to My Skin; Ulysses Dove’s Dancing on the Front Porch of Heaven, Red Angels, Serious Pleasures, and Vespers; Nacho Duato’s Jardí Tancat; Kiyon Gaines’ Sum Stravinsky; Paul Gibson’s Sense of Doubt; Ronald Hynd’s The Sleeping Beauty (Lilac Fairy, Gold and Silver pas de trois, Queen); Jiri Kylian’s Forgotten Land and Petite Mort; Jean-Christophe Maillot’s Roméo et Juliette (Lady Capulet); Benjamin Millepied’s 3 Movements; Mark Morris’ A Garden and Pacific; Annabelle Lopez Ochoa’s Cylindrical Shadows; Crystal Pite’s Emergence; Alexei Ratmansky’s Don Quixote (Mercedes, Piccilia); Jerome Robbins’ The Concert, Fancy Free, Glass Pieces, and West Side Story Suite (Anita); Kent Stowell’s Carmina Burana, Cinderella (Stepsister), Hail to the Conquering Hero, Nutcracker (Clara, Flora, Peacock), and Swan Lake (Black Swan pas de deux, Pas de trois, Persian Dance); Susan Stroman’s TAKE FIVE…More or Less; and Twyla Tharp’s In the Upper Room, Nine Sinatra Songs, Opus 111, and Waterbaby Bagatelles.
Originated Leading Roles: Kiyon Gaines’ M-Pulse, Paul Gibson’s Mozart Pieces, Victor Quijada’s Mating Theory and Suspension of Disbelief, and Christopher Wheeldon’s Tide Harmonic.
George Balanchine’s La Valse; Robert Joffrey’s Remembrances; Todd Bolender’s Souvenirs; William Forsythe’s In the middle, somewhat elevated; Stowell’s Carmina Burana, Silver Lining, and The Tragedy of Romeo and Juliet; Richard Tanner’s Ancient Airs and Dances, and Christopher Wheeldon’s Variations Sérieuses.
PNB Dancer ProfileLindsi Dec
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