From brussels sprouts to sweet potato chili, Corps de ballet dancer Emma Love makes her favorites from scratch.
I’m almost always excited to cook at the end of the rehearsal day — it’s almost relaxing. I’m always on the search for new, exciting recipes, and only repeated a few of […]
Let’s talk a little about your creative process. What is the impetus for this work?
My inspiration for this piece is the recent passing of a family friend. It started as a story ballet of sorts, with a clear narrative element. As I choreographed it became a healing process — […]
When did you start dancing?
I started dancing just after I turned 9.
Why ballet?
The reason I chose Pacific Northwest Ballet is because I want to be able to do all kinds of dance, ballet certainly, but also modern and contemporary, and PNB has a nice mix. I love […]
Act I, Scene I
In Don Quixote’s study, his niece Joanna is talking to Carasco, his servant. They are worried about the Don, who is slowly but surely being driven mad by all his reading. They therefore decide to hide the Don’s books.
Meanwhile, Don Quixote comes into the study, totally […]
Act II, Scene I
On a plateau in the mountains, a troupe of traveling actors has set up camp. Kitri and Basilio appear and ask the actors to help them escape. While the group performs, Kitri and Basilio put on costumes and join in. When Lorenzo and Gamache arrive at the camp, they are […]
Act III, Scene I
Kitri and Basilio are enjoying themselves with Espada, Mercedes, and a group of friends in a tavern filled with gypsies, bullfighters, and other high-spirited folk. Kitri thinks she has escaped her forced marriage to Gamache. Unfortunately, it is not so easy, as her […]
“In Westphalia, the former Saxony, all is not dead which lies buried. When we wander there through the old oak groves we can hear the voices of the olden time, and the re-echoes of those deeply mysterious magic spells in which there gushes a [great] fullness of life …A mysterious awe thrilled […]
In this blog, Parent Volunteer Coordinator Di Anna Kurriger talks about life backstage with the youngest dancers in Pacific Northwest Ballet’s production of George Balanchine’s A Midsummer Night’s Dream.
The History ~ Since its premiere in 1841, Giselle has become one of the most popular ballets of all time and is considered ballet’s great tragedy. Giselle represents the greatest achievement of ballet’s Romantic era. After it fell out of repertory at the Paris Opera, it returned to the West via Russia […]
Peter Boal’s World Premiere staging of Giselle marks the first time an American ballet company has revived a classic based on original material researched by Stepanov notation expert Doug Fullington in collaboration with leading Giselle scholar Marian Smith.
Our work on Giselle continued in early January with a week of rehearsals […]