Glass Pieces

Choreography

Jerome Robbins

Composer

Philip Glass

Music

(“Rubric” and “Façades” from Glassworks (1981); “Funeral” from Akhnaten (1983))

Costume Design

Ben Benson

Lighting Design

Jennifer Tipton

Scenic Design

Jerome Robbins and Ronald Bates

Cast

44 dancers

Running Time

26 minutes

Premiere

May 12, 1983
New York City Ballet

PNB Premiere

September 24, 2010

Original Lighting Design

Ronald Bates

The 2010 Pacific Northwest Ballet premiere of Jerome Robbins’ Glass Pieces was generously underwritten by Glenn Kawasaki.

Artist Biographies

Jennifer Tipton was born in Columbus, Ohio, and attended Cornell University. After graduation, she came to New York to study dance, and her interest in lighting began with a course in the subject at the American Dance Festival at Connecticut College. She has been awarded two Bessies and a Laurence Olivier Award for lighting dance; her work in that field includes pieces choreographed by Mikhail Baryshnikov, Jiří Kylián, Dana Reitz, Jerome Robbins, Paul Taylor, and Twyla Tharp, among many others. In 1991, she received a Dance Magazine Award and has been a recipient of the National Endowment for the Arts Theater Program Distinguished Artist Award and a grant in the National Theatre Artist Residency Program funded by the Pew Charitable Trusts. Her theater work has garnered a Joseph Jefferson Award, a Kudo, a Drama-Logue Award, two American Theatre Wing Awards, an Obie, two Drama Desk Awards, and two Tonys for The Cherry Orchard and Jerome Robbins’ Broadway. She was the recipient of the Dorothy and Lillian Gish Prize in 2001 and the Jerome Robbins Prize in 2003. In 2008, she became a United States Artist “Gracie” Fellow and a MacArthur Fellow. Ms. Tipton is on the faculty at the Yale University School of Drama.

Jerome Robbins (1918-1998) is world-renowned for his work as a choreographer of ballets as well as his work as a director and choreographer in theater, movies, and television. His Broadway shows include On the Town, Billion Dollar Baby, High Button Shoes, West Side Story, The King and I, Gypsy, Peter Pan, Miss Liberty, Call Me Madam, and Fiddler on the Roof. His last Broadway production in 1989, Jerome Robbins’ Broadway, won six Tony Awards, including best musical and best director.

Among the more than 60 ballets he created are Fancy Free, Afternoon of a Faun, The Concert, Dances At a Gathering, In the Night, In G Major, Other Dances, Glass Pieces and Ives, Songs, which are in the repertories of New York City Ballet and other major dance companies throughout the world. His last ballets include A Suite of Dances created for Mikhail Baryshnikov (1994), 2 & 3 Part Inventions (1994), West Side Story Suite (1995) and Brandenburg (1996).

In addition to two Academy Awards for the film West Side Story, Mr. Robbins received four Tony Awards, five Donaldson Awards, two Emmy Awards, the Screen Directors’ Guild Award, and the New York Drama Critics Circle Award. Mr. Robbins was a 1981 Kennedy Center Honors Recipient and was awarded the French Chevalier dans l’Ordre National de la Legion d’Honneur.

Born in Baltimore, Philip Glass studied the violin and flute, and obtained early admission to the University of Chicago. After graduating in mathematics and philosophy, he went to New York’s Juilliard School, drove a cab and studied composition with Darius Milhaud and others.

At 23, he moved to Paris to study under the legendary Nadia Boulanger. While there, he discovered Indian classical music while transcribing the works of Ravi Shankar into Western musical notation. A creative turning point, Glass researched non-Western music in India and parts of Africa, and applied the techniques to his own composition.

Back in the United States, Glass spent the late 1960s and early 1970s creating a major collection of new music. In 1976 his landmark opera Einstein on the Beach was staged by Robert Wilson to a baffling variety of reviews. His compositions were so avant-garde that he had to form the Philip Glass Ensemble to give them a venue for performance. Although called a minimalist by the Western classical mainstream, he denies this categorization. His major works include opera, theater pieces, film soundtracks, dance and song. Glass remains one of the most important American composers. More recently, a major reexamination of Glass’s oeuvre has led him to be labeled “The Last Romantic” by the musical press.

Through his opera, symphonies, compositions for his own ensemble, and collaborations with artists, Glass has had an extraordinary impact on the musical and intellectual life of his times. In the past 25 years, Glass has composed more than 25 operas; twelve symphonies; three piano concertos; concertos for violin, piano, timpani, saxophone quartet, and orchestra; soundtracks for films; string quartets; and a growing body of work for solo piano and organ.