Momotaro (The Peach Boy)

Choreography

Jessica Lang

Composer

Various

Music

Saburo Moroi, Ringtaro Tateishi, Kazuko Yamada, Takashi Yoshimatsu, and Traditional Folk Music

Costume Design

Meleta Buckstaff

Lighting Design

Reed Nakayama

Premiere

March 21, 2026
Pacific Northwest Ballet

Director

Jessica Lang

Creative Associate & Dramaturg

Kanji Segawa

Set Design Illustrator

Yuki Takahashi

Scenic Coordinator

Yuki Izumihara

Taiko Music Composed by

Ringtaro Tateishi

Narrator

Brad Lo Walker

Featuring the School of Taiko

Ringtaro Tateishi, Artistic Director

The world premiere of Jessica Lang’s Momotaro is generously sponsored by Aimee Truchard, Leslie Yamada, Deidra Wager, Connie Walsh, Once Upon a Dance, Yuka Shimizu Foundation, and Japan Fair.

The Story of Momotaro

Long ago, Obaasan and Ojiisan, an elderly couple living in the countryside, discovered a giant peach floating down a river. When they opened it, a miraculous little boy appeared. Sent from the heavens, the child became their son and was named Momotaro, meaning “Peach Boy.” The couple raised him with love, and he grew into a strong and kind young hero.

One day, Momotaro learned that fearsome ogres on a distant island had been attacking villages and stealing their treasures. Determined to protect his home, he decided to journey to Ogre Island and defeat them. Before he left, his Obaasan prepared special dumplings called kibi dango to give him strength on his journey.

Along the way, Momotaro met a dog, a monkey, and a pheasant. Each asked where he was going, and after receiving a dumpling from him, they joined his mission. Guided by magical forest, star, and water fairies, the group traveled together across the sea to reach Ogre Island. When they arrived, they found the ogres celebrating with the stolen treasures. Momotaro and his companions bravely fought them in battle. Eventually, the Boss Ogre surrendered and promised never to harm the villagers again, returning all the stolen goods.

Seeing the ogre’s genuine regret, Momotaro remembered the lessons of compassion taught by his parents and chose forgiveness instead of revenge. When Momotaro returned home with his friends, the villagers celebrated his bravery. Even the Boss Ogre came to apologize and return the treasures, and the villagers welcomed him peacefully.

Through courage, teamwork, and compassion, Momotaro restored happiness to the village, and everyone lived together in peace.

Artist Biographies

Brad Lo Walker is a Seattle-born actor and director with a BA in Theatre from the University of Washington. Favorite roles: Seymour (Little Shop of Horrors), Barnaby Tucker (The Matchmaker), and Leo Bloom (The Producers). Brad has performed with Seattle Children’s Theatre, Village Theatre, Taproot Theatre, Harlequin Productions, Book-It Repertory, and Storybook Theater. He currently serves as a Drama Teacher at BASIS Independent School. Love, as always, to Noel and baby Peter—our own little Peach Boy. 

Founded in 2009, The School of TAIKO is a premiere educational and artistic institution dedicated to fostering cultural connection through the discipline of Japanese Taiko Drumming and Japanese Arts, Music and Culture. Under the umbrella of Japan Creative Arts, the organization operates the professional ensemble CHIKIRI, a community school serving over 400 students annually, and extensive educational outreach. 

The founders bring world-class expertise to the Pacific Northwest. Ringtaro Tateishi – Artistic Director, a Taiko master with 37 years of experience and a veteran of the world-renowned group ONDEKOZA, famously completed the legendary U.S. Running Tour, a monumental feat where he ran through 49 states while performing Taiko across the nation. Co-founder Asako Tateishi – Executive/Creative Director, a former Disney International Artist, also brings a sophisticated background as a professional MC and announcer for major motorcycle racing circuits (such as Suzuka and Motegi) and an expert event planner in Japan. Her production expertise seamlessly blends traditional craft with high-stakes event excellence. 
 
Their high-energy performances are frequently featured at major sports and community milestones, including opening for the Seattle Mariners, halftime shows for the Seattle Storm (WNBA) and Seattle Seawolves (MLR), and the iconic Northwest Folklife Festival. Since 2014, they have also produced the Bellevue World Taiko Festival, bridging world-class artists with the local community. 
 
In PNB’s production of Momotaro, The School of TAIKO’s Youth Ensemble will perform original compositions by Ringtaro Tateishi, bringing the thunderous vitality of Taiko to the ballet stage.

A celebrated choreographer of her generation, Jessica Lang is Resident Choreographer of Pacific Northwest Ballet and Artist in Residence at Sarasota Ballet. She has created over 115 original works on companies worldwide including American Ballet Theatre, Alvin Ailey American Dance Theater, PNB, The Royal Ballet, Vienna State Ballet and her eponymous company Jessica Lang Dance of which Lang was Artistic Director from 2011-2019. For opera, Lang has directed and choreographed Pergolesi’s Stabat Mater for Glimmerglass; choreographed Aida for San Francisco Opera, Washington National Opera (WNO), Seattle Opera, LA Opera, and Lyric Opera of Chicago; and choreographed Salome for Des Moines Metro Opera. In 2024, Lang co-choreographed with Kanji Segawa WNO’s new production of Turandot, directed by Francesca Zambello.

Kanji Segawa was a dancer with Alvin Ailey American Dance Theater from 2011–2023 and became Assistant Rehearsal Director for the company in 2024. Originally from Kanagawa, Japan, Segawa is a former member of Ailey II, Battleworks, and danced extensively for Mark Morris. Since 1999, Segawa has worked with Jessica Lang, assisting her creations for companies worldwide including American Ballet Theatre, PNB, The Royal Ballet, and The National Ballet of Japan.

Meleta Buckstaff grew up in Jackson, Wyoming, where she developed a love of dance at a young age. Meleta holds a BA in Dance and American Studies from Smith College and an MFA in Costume Design from the University of Washington. She joined the PNB costume shop in 2017 and was promoted to Costume Shop Manager in 2022. Creative highlights include years of collaboration with choreographer Babs Case, production designer Erin O. Kay, and her work at PNB.

Reed Nakayama is a Seattle-based Lighting and Projection Designer. He joined PNB in 2013 as a stagehand, and in 2019, was promoted to caretaker of the company’s copious designs. Here, he has illuminated stages in collaboration with artists such as Alexei Ratmansky (Wartime Elegy), Jessica Lang (Ghost Variations), Danielle Rowe (The Window), and Christopher Wheeldon (Curious Kingdom). He received a BFA in Performance Production from Cornish College of the Arts.

Yuki Izumihara is an award-winning scenic, projection, and production designer born in Shimonoseki City, Japan and based in Oakland, CA. As an artist, graphic designer, and animator with an emphasis on spatial composition and color narrative, Yuki aims to clarify, establish, and amplify project identities through visual language. Her work has been featured at San Francisco Symphony, Opera Philadelphia, Opera Theatre of St. Louis, LA Opera, San Diego Opera, among other companies across USA.

Yuki Takahashi is from Tokyo, Japan. She studied at Ballet Academy of Texas, Mejia Ballet International, Ballet Academy East, and PNB School. Ms. Takahashi joined PNB as an apprentice in 2019, promoted to corps de ballet later that year, and to soloist in 2025. As an illustrator and graphic designer, she has created branding for PNB’s Dance Film Festival, the scenic illustrations for Jessica Lang and Kanji Segawa’s ballet Momotaro, and designs for The Seattle Project and Seattle Dance Collective.