We are all keenly aware we are living through an unprecedented and historic time. Yes, I’m referring to a national reckoning on social and racial injustice, a global pandemic, economic uncertainty, stark political division, surging unemployment, the calamitous effects […]
Dance Happens Everywhere. That’s the title of our 20-21 digital season, and it’s true; dance does happen everywhere. I’m not just referring to different cultures […]
Dear Friends,
I have always enjoyed writing these notes to all of you before each program. Ordinarily, I share surprising facts and humorous anecdotes. A week ago, I might have mentioned our orchestra’s mastery of Philip Glass’ score, or the colossal scale of John Otto’s set that takes 45 minutes […]
Recently, we made an exciting announcement: Alejandro Cerrudo will be PNB’s first Resident Choreographer. I’m a big fan of Alejandro’s work and hope you are, too. If you’re not, you may soon become one. One Thousand Pieces is the fourth […]
I’m not from here. But not long after I arrived almost 15 years ago, I felt I was home. Cascadia has a long history of people like me who arrived and claimed this land as their home. […]
Lindsi Dec and PNB Company dancers in Carmina Burana © Angela Sterling.
You never forget the opening moment of Kent Stowell’s Carmina Burana. Even wildly enthusiastic applause can’t drown out the 70 voices of the Pacific Lutheran University Choral […]
By PNB Artistic Director Peter Boal
Pacific Northwest Ballet is a choreographer’s company. In some companies, that term might imply one choreographer creates the bulk of the repertoire. That’s not the case with PNB. We celebrate choreography, devoting […]
2. The scenery and costumes, designed by Martin Pakledinaz, were influenced by 19th-century English and Italian Renaissance designs.
Artistic Director Peter Boal has announced the line-up for Pacific Northwest Ballet’s 47th season, running from September, 2019 to June, 2020. Highlights include George Balanchine’s masterful Agon on a double-bill with Kent Stowell’s powerhouse production of Carmina Burana; world premieres by local choreographers Donald Byrd, Eva Stone, and Miles Pertl; the return of […]
By Artistic Director Peter Boal
In 1890, Seattle was a relatively lawless frontier town. There was little plumbing, plenty of mudflats, and too many taverns. The Duwamish and Suquamish were losing land and rights to the countless fortune-seekers pouring into and passing through […]