Jonathan Batista (he/him) is from Rio De Janeiro, Brazil. He trained on scholarship at the English National Ballet and attended summer courses at Miami City Ballet and The Royal Ballet School on scholarship. He joined the National Ballet of Canada as an apprentice in 2012 before joining Boston Ballet as a member of the corps de ballet in 2013. In 2016, he joined Cincinnati Ballet as a soloist and in 2017, Oklahoma City Ballet as a principal. Jonathan joined Pacific Northwest Ballet as a soloist in 2021 and was promoted to principal in 2022.
Jonathan has danced leading roles in George Balanchine’s The Nutcracker® (Cavalier, Candy Cane); Alejandro Cerrudo’s One Thousand Pieces; Ulysses Dove’s Dancing on the Front Porch of Heaven; Jean-Christophe Maillot’s Roméo et Juliette (Tybalt); Crystal Pite’s Plot Point; Kent Stowell’s Swan Lake (Prince Sigfried); Twyla Tharp’s Brief Fling and Waiting at the Station; and Robyn Mineko Williams’ Before I Was.
While at Boston Ballet, Jonathan performed featured roles in George Balanchine’s Emeralds (Pas de Trois), Harald Lander’s Études (Mazurka), and Marius Petipa’s La Bayadère (Golden Idol). At Oklahoma City Ballet, he danced leading and featured roles in Balanchine’s The Four Temperaments (Phlegmatic); August Bournonville’s La Sylphide (James); Robert Joffrey’s Pas des Déesses; Jiří Kylián’s Petite Mort (3rd Pas de Deux); Robert Mills’ Romeo & Juliet (Mercutio), Swan Lake (Siegfried), The Firebird (Prince Ivan), The Nutcracker (Cavalier), The Little Mermaid, and The Means To Fly; Helen Pickett’s Petals (Jonah); Caetano Soto’s Adam; and Septime Webre’s ALICE (in wonderland).
Jonathan was a Gold Medalist at the 2008 Grand Prix Brazil, a 2010 Prix de Laussane Finalist, and a Silver Medalist at the World Ballet Competition in 2013.